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Ice Warrior loose on a submarine – Review of Doctor Who Cold War

If you want to guarantee a successful drama thriller, set it on a submarine.

Films like “Hunt for Red October”, “Crimson Tide” and “Das Boot” build tension from the claustrophobic, semi-dark red-lit sets, all male crews and the constant threat of water breaching the hull.

Set the drama on a nuclear submarine in a Cold War situation where the captain can launch missiles that could destroy the world and directors can make the tension unbearable.

So in this latest “movie of the week” adventure The Doctor (Matt Smith) and Clara (Jenna-Louise Coleman) arrive on a Russian nuclear sub in 1983. Emotions are fraught. And down in the hold encased in a block of ice is a creature, an old enemy of the Doctor, that we have not seen in the programme since “The Monster of Peladon” 39 years ago in 1974. An Ice Warrior from the planet Mars.

 Review of Doctor Who Cold War
Movie of the Week Poster

Since Doctor Who returned to our TV screens in 2005 the producers have updated many of the old classic series monsters. They modernised the Daleks and gave them the ability to fly thus relegating stair cases from being a means of salvation to simply a method of travelling from one floor to another.

The Cyberman upgrade was less successful in my opinion. All that marching around with synchronised heavy metal boot stepping was perhaps too absurd to be frightening.

With the Ice Warrior we have a modern costume which remains almost completely faithful to the original 1960s design. But instead of the slow lumbering tanks of the black and white era, here we see a fast, sleek, suit of armour for a creature hidden within. Initially all we can see is its reptilian mouth beneath the orange visor of its helmet.

 Review of Doctor Who Cold War
The Ice Warrior

But later the Martian escapes from the suit and the crew begin a desperate game of hide and seek in the dingy corridors of the submarine. These scenes are well filmed and directed and the constantly dripping water from overhead adds to the realism.

The Ice Warrior creature strikes quickly from the shadows, from above and below. The drama benefits from the fact that there is only one of the aliens confronting the humans in the confined space of their nuclear sub. It’s a classic base under siege scenario.

Clara once again gets chance to shine when she enters the room where they have chained Ice Warrior up and tries to reason with the monster. The creature’s reference to its own daughter lend the character a depth we tend not to see with more traditional monsters like the Daleks. Clara also teams up with Professor Grisenko played by the excellent David Warner, an older Russian with a liking for 80s bands Ultravox and Duran Duran. This brings a little welcome humour to the tense plot.

Eventually the Ice Warrior re-enters its armour suit and we see for the first time the ugly face of the creature behind the mask. I thought it reminded me of the Predator creatures from the movies.

The ending was a little disappointing given the tense build up. The Doctor once again talks the enemy down and appeals to its compassion. I can forgive this because the Ice Warriors of the classic series were an honourable race and in one story they were even allies of the Doctor. But such endings seem to be common at the moment. A bit dull and a bit predictable.

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Liam Cunningham

One of the best episodes of series 7, Cold War very successfully reintroduces another Doctor Who icon. It also reinforces the view that any drama set on a submarine just seems to work.

I did keep expecting Liam Cunningham, who played the Russian submarine captain, to either break out into his best Sean Connery impersonation or to start talking about the colour of Lipizzaner Stallions.

Your turn: Do you agree with my review of Doctor Who Cold War? Please share your thoughts and your own reviews. Click on “leave a reply” and post a comment or a link.

 

 

Review of Doctor Who The Rings of Akhaten

This is the most visually stunning episode of Doctor Who I have ever seen. It easily surpasses anything from the cardboard sets and slate quarry landscapes of the original classic series, and is still ahead of anything we have seen since the reboot in 2005.

Stylistically, it reminded me of the first Star Wars, particularly the famous Cantina scene where Luke Skywalker and Ben Kenobi venture into a bar full of weird and wonderful aliens. I lost count of the number of costumes on display as the Doctor (Matt Smith) and Clara (Jenna-Louise Coleman) wander the crowded streets the Akhaten market. Hats off to the BBC costume designers for the superb quality and detail that they put into this spectacular visual feast.

Review of Doctor Who The Rings of Akhaten

But I found the story a strange one. Entertaining certainly, but weird at the same time. Doctor Who rarely examines religious themes. But here we have a narrative questioning the beliefs and motivations of people worshipping, through ritual, a God like being in a golden pyramid. The Doctor refers to the ancient creature as “a mummy” though the locals know it as “grandfather”.

And the little girl, Merry, played with wonderful apprehension by the talented Emilia Jones, is at once part of the ritual and a potential sacrifice to the grandfather god when the ceremony goes wrong. Her dialogue duet scene with Clara, beautifully played by both actresses, is moving and allows Jenna-Louise Coleman to further grow into the role of new companion.

I also found the scene where the two of them hide from the sinister Vigil creatures and their whispering voices, most chilling. A shame then that the story did not make more of these monsters which looked like a cross between the Cenobites from Hellraiser and demons from the video game Doom.

Song plays a strong part in the rituals. Hymn like, melodic but alien they are among Murray Gold’s best work for the series so far and subtlety emphasise the religious references.

It turns out that Grandfather is a decoy. The real god is a parasite the size of a planet, now awake and keen to devour Merry and the inhabitants of Akhaten.

The Doctor offers it his 1000 years of memories in what is one of Matt Smith’s best monologues. Those are real tears in his eyes. But all this experience is not enough for the parasite. It takes Clara to challenge it to devour “what could have been” to cause the demon to gorge itself out of existence.

“There’s quite a difference, isn’t there, between what was and what should have been. There’s an awful lot of one but there’s an infinity of the other.” – The Doctor
Strange, sometimes disturbing, but always entertaining, The Rings of Akhaten is another successful “movie of the week”. And the poster above reflects but cannot do justice to the cinematic visuals on offer here.

Such were the strange themes being examined here, I watched the episode again a few hours later. It was even better the second time.

Your turn: Do you agree with my Review of Doctor Who The Rings of Akhaten? Did you think it was a weird episode? Share your thoughts or your own review. Please leave a comment or post a link to other reviews.

“Run you clever boy, and remember” – Review of Christmas episode of Doctor Who The Snowmen

Show runner Stephen Moffat chose Christmas Day to reboot Doctor Who with a new title sequence, remixed music, new TARDIS set and a scary, funny, well written romp set in Victorian England. It sets up next year’s 50th anniversary perfectly and left me waiting eagerly for series 7 part two next April.

Review of Christmas episode of Doctor Who The Snowmen
The Snowmen Movie of the Week poster

In keeping with the style of the current run, The Snowmen was a “movie of the week” complete with its own movie poster. And cinematic it was with snow bound London skylines and the BBC’s usual attention to period detail. The BBC do Victorian so well don’t they?

Usually Doctor Who Christmas specials are a little cheesey and removed from the main series story arcs. Whilst The Snowmen displayed all the usual Christmas trappings, it was definitely part of the storyline this time. Matt Smith, as usual, expertly played the role, but this time he was withdrawn from the world and almost Scrooge-like, mourning the loss of his previous companions Rory and Amy. He’s done with saving the world. Done with giant robots and killer Christmas trees. All he wants to do is be miserable and live in the TARDIS he parked on a cloud. A cloud reached by a very Mary Poppins style spiral staircase.

Review of Christmas episode of Doctor Who The Snowmen

But scary snowmen with shark teeth are popping up and devouring Yuletide Londoners. These were well done though I believe earlier versions looked a little too like Rainbow’s Zippy. I would have liked to see them on screen more. Perhaps they could have eaten a few more people. But hey this is a family show.

The villain played by Richard E Grant is using the Great Intelligence to conjure them up whilst searching for the DNA of a nasty governess frozen in a pond.

Cue new companion Clara played by Jenna-Louise Coleman (flitting expertly between posh spoken Miss Montague and her other barmaid persona with a more streetwise way of talking) attempting to suss out the Doctor and persuade him to return to his universe saving ways.

Review of Christmas episode of Doctor Who The Snowmen

Also helping the Doctor (and protecting his current desire for seclusion without agreeing with it) are Madame Vastra (“Good evening. I’m a lizard woman from the dawn of time, and this is my wife”) Jenny and the Sontaran in a butler’s outfit, Strax. The latter gets the funniest lines in the story (“Try to escape and you will be obliterated. Can I take your coat?”)

And I loved the scene when the Doctor asks Strax to go and fetch the memory worm. When Strax comes back empty-handed the Doctor sighs with exasperation, “You forgot the gauntlets!”

Review of Christmas episode of Doctor Who The Snowmen

Despite this great comedy, and despite a slightly underplayed malevolent performance by Grant – though his brief resurrection as a zombie at the end was pretty horrible – the delight of this story really lay in the developing relationship between the Doctor and Clara.

Of course we the audience know he has met her before and when she mentions her love of soufflés the penny starts to drop. She was in the season opener “Asylum of the Daleks” back in September but of course in that one, Matt Smith could only hear her voice and her name was Oswin. Only after saving the city in a typical return to form did the Doctor begin to realise. As she died Clara’s last words were, “Run you clever boy. And remember.” The same as Oswin’s parting words in the earlier adventure.

And on her grave: “Clara Oswin Oswald”.

Matt Smith is now on the run to find his soufflé girl. With a new theme tune, new TARDIS set, new Victorian inspired costume and another fascinating mystery to solve, for the first time in 8 years of Christmas specials, being part of the ongoing storyline, The Snowmen leaves us desperate for the next episodes which are still four months away.

Over to you: Do you agree with my Review of Christmas episode of Doctor Who The Snowmen?Were you right about the Clara/Oswin link and where do you think it will go next? Please share your thoughts or give a link to your own reviews. Click below where it says “Leave a reply”. Go on – share!

Dark streets and skyscrapers – review of Doctor Who The Angels Take Manhattan

The dark streets and skyscrapers of 1930s New York suit the “film noir” detective drama genre perfectly. Rain swept streets, shady characters in long coats and hats, shadowy corners and hidden menaces, majestic buildings with stone statues.

But what happens if those statues can move? And only move when you are not looking at them. Keep an eye on them and they are frozen and still. But then if you turn away. Or if you blink. Or if the light goes out. Then they move like lightning. The Weeping Angels have taken Manhattan – an atmospheric backdrop to the mid-season finale of Doctor Who.

Review of Doctor Who The Angels Take Manhattan
The Film Poster

This is the climax we have waited for. The Doctor parts company with companions Amy and Rory for good. We were promised an emotional farewell. And Stephen Moffat delivers tears.

Cynics would argue that the only reason for the New York setting was to allow the pre-credit sequence to culminate in the shocking reveal that the Statue of Liberty is a giant Weeping Angel towering over its victim with fangs bared. But the city that never sleeps is perfect for the story and the feel of foreboding.

I love the scenes in modern-day Central Park before the action shifts to the grim shadows of the 1930s. And Moffat ingeniously weaves the time travel element into the story with the Doctor reading from an old detective paperback describing past events so that he can interact, now, with events that happened 70 years earlier.

Of course the Angels kill people in a nice way by zapping them 50 years into the past so that they can live themselves to death. When the Angels dispatch Rory to that earlier age, Amy elects to allow the Angels to send her back as well despite the Doctor’s tearful protestations. We feel the sadness of knowing that Amy and Rory are dead but also realise that they still lived to a ripe old age and lived happy ever after. Sort of.

The regulars, including Alex Kingston returning as River Song, act their socks off. The Angels are as scary as ever. Especially the giggling little cherubs blowing out candles and the mother and son statue watching from across the road.

A fabulous finale which leaves me waiting in anticipation for the Christmas episode. After the credits roll we get a tiny glimpse of the festive story complete with new companion played by Jenna-Louise Coleman. How on earth will she fit into the narrative given we last saw her as a Dalek in the season opener?

Over to you: Do you agree with my review of Doctor Who The Angels take Manhattan? Were you sad to see Rory and Amy leave? Were there tears? What about the Angels? Still scary or have they been over-used? What about those cherubs? Share your thoughts and comments below.