Tag Archives: jenna-louise coleman

Are the Cybermen scary again? Review of Doctor Who Nightmare in Silver

Back in the 1960s the Cybermen were quite scary (I’ve seen  the DVDs – I’m not that old!). They met Patrick Troughton’s Doctor Who many times, towered over their victims and spoke in an unsettling electronic monotone.

When the BBC brought the Cybermen back in the 1980s they were less formidable, less scary and almost became figures of fun. They were susceptible to gold and at a real low point in their history, the Doctor’s companion, Ace, dispatched them with a pocket full of gold coins and a catapult.

Even the Cybermen in the rebooted post 2005 Doctor Who have suffered from poor stories and have been too easy to defeat.

Show runner Stephen Moffat promised us that Neil Gaiman’s script Nightmare in Silver would make the Cybermen scary again.

Review of Doctor Who Nightmare in Silver
Movie of the week poster

 

So did it succeed in its mission?

The new Cyberman design actually looks very like the 1960s creepier versions so I approve of that. And that they can detach their hands and their heads to attack their enemies is innovative but hardly the stuff that nightmares are made of. I liked their new ability to speed up and their time flow to dash in and kidnap the children, but then found it confusing later when they did not use this technique to attack the castle. Cybermites – tiny little robotic bugs, are an excellent evolution of the Cybermats. The Cybermen’s other new ability to “upgrade” to counteract new threats reminded me of The Borg in Star Trek The Next Generation.

So I think Neil Gaiman has made the Cybermen interesting again but I wouldn’t go as far as scary.

The cast is very strong with Matt Smith showing absolute relish playing an evil “cyber-planner” version of himself. His interactions with himself were very well-played. Jenna-Louise Coleman continues to shine as Clara proving that she is one of the strongest companions the Doctor has had since the show returned in 2005.

I didn’t particularly like the soldiers who just came across as buffoons and ultimately served no purpose other than as Cyberman cannon fodder.

Warwick Davis, I felt, excelled as Porridge, the little chap who the Galactic Emperor. But as has happened to much this season the ending was too easy. Porridge arranges for everyone to be teleported off the planet so that they can use a huge bomb to destroy the Cybermen. Another Deus Ex Machina which left me feeling a little disappointed at the end of what was undoubtedly a very entertaining episode.

Your turn: Do you agree with my review of Doctor Who Nightmare in Silver? Did Neil Gaiman succeed in making the Cybermen scary again? Please leave a comment or post a link to your own review.

Alien trouble up north – Review of Doctor Who The Crimson Horror

For the first fifteen minutes of Doctor Who The Crimson Horror I thought I was watching the pilot episode for a spin-off series featuring Victorian London detectives Madame Vastra, her wife Jenny, and their Sontaran side kick Strax. And very entertaining it was as well indeed I do hope they make such a spin-off series.

Strax gets all the funniest lines as he constantly suggests grenades and other war hardware as solutions to every problem. Madame Vastra remains an intriguing character, noble, and despite her lizard-like features, quite sexy. Jenny gets much more to do in this episode and I liked the moment when she steps out of her Victorian garb to show her Avengers style leather cat suit underneath. Perhaps this was a cute nod towards guest star Diana Rigg who, of course, was an Avengers girl back in the 1960s.

Review of Doctor Who The Crimson Horror
Movie of the week poster.

The BBC really do period drama well and the costumes, props and locations in The Crimson Horror are of a particularly high standard.

“To find him she needs only ignore all keep out signs, go through every locked door, and run towards any form of danger that presents itself.”

The Vastra Crew are investigating the disappearance of people who go to Sweetville a seemingly idillic town up north away from corrupt London. Eventually Jenny finds The Doctor (Matt Smith) locked in a room doing his best Hell Boy impression with bright red skin and agonised moaning. This leads to an impressive flash back sequence told in a sepia tone like an old news reel. Once cured, the Doctor can also rescue Clara (Jenna-Louise Coleman) and finally face the spooky harridan Miss Gillyflower.

“Yes, I’m the Doctor, you’re nuts, and I’m gonna stop you.”

Diana Rigg, who is also delighting audiences in the third series of Game of Thrones, stops just short of hamming up her part. Her interactions with her real life daughter, Rachel Stirling are a delight, and Stirling’s character, Ada,  is both sad and brave, especially when she realises her mother’s betrayal and becomes stronger as a result.

The Crimson Horror is a great episode of Doctor Who, funny and entertaining but I thought it was quite light weight. The reveal of the scarlet monster, Mr Sweet, attached and suckling on Rigg’s chest could have been a genuine horror moment but it was too cute. When Strax takes directions from a boy who reveals his name is Thomas Thomas I wanted to phone Stephen Moffat straight away and complain at the awfulness of this joke.

Overall it did feel as this was genuinely a children’s episode. If this was indeed a blue print for a spin of series about the Vastra Crew then I think we can expect a drama along the lines of The Sarah Jane Adventures rather then the more adult oriented Torchwood.

Your turn: Do you agree with my review of Doctor Who The Crimson Horror? Would you like to see a spin-off series featuring Vastra, Jenny and Strax? Please leave a comment and let me know what you think or post a link to your own review.

Time Travelling Ghost-busters – Review of Doctor Who Hide

One of my favourite surprises in Film and TV is when the producers successfully pull off a “genre shift”. So, for example, you might start watching what you think is a romantic comedy but somewhere during the narrative the genre of the film shifts to a shoot ’em up action adventure.

The best cinematic example of “genre shift” that I can think of is in a film called “The Descent”. It starts of as an edge of seat drama about a group of girls pot-holing in deep dark caves. We experience the claustrophobia and terror as they become trapped by a rock fall and then try to traverse a bottomless chasm. Then about 45 minutes in the genre shifts to blood soaked creature horror. The first time I watched “The Descent” this change took me completely by surprise.

Doctor Who Hide has such a genre shift. It begins in the 1970s in a spooky rain lashed house. Candles flicker, shadows deepen, and we catch glimpses of the white ghost of a screaming lady. The director uses all the tricks from horror movies such as The Haunting and Paranormal Activity. It is very well done and is genuinely scary and makes the hairs rise on the back of your neck.

Review of Doctor Who Hide

It’s a small cast, with the ghost hunting characters of scientist  Alex (Dougray Scott) and psychic Emma (Jessica Raine) having room and time to be fleshed out satisfying. They are so obviously in love but unable to declare their devotion. Enter ghost-busters The Doctor (Matt Smith) and Clara (Jenna-Louise Coleman) and the creepiness becomes intense as they search the gloomy corridors for the troubled spirit.

The genre shift from horror back to traditional Doctor Who science fiction happens when we discover that the ghost is a lady time traveller called Hila trapped in a pocket universe and being stalked by a grotesque but unseen monster. The Doctor discovers this by taking Clara on a whistle-stop tour of the universe from its creation to its destruction (whilst seeing the “ghost” seemingly trapped in history). And this allows for some intense dialog between the Doctor and Clara which deepens the mystery of his new companion,  the girl “twice killed”.

There are echoes of reality show “Most Haunted” in Hide, and plenty of references to classic Doctor Who to keep the fans happy. Who spotted the blue crystal from Metebelis Three? And just what did Emma mean in her warning to Clara not to trust the Doctor – because “there’s a sliver of ice in his heart”,

The last genre shift was back to love story as Alex and Emma finally admit their feelings for each other.

But was it necessary to add the last 2 minutes of the story where, having successfully rescued Hila from the monster in the pocket universe, realises that the monster itself is trying to get to the “love of its own life”, a similar monster hiding in the spooky house. Off the Doctor then goes to try to unite the grotesque lovers. I suppose it was meant to be touching humorous – I just found it weakened an otherwise flawless “movie of the week”.

Your turn: Do you agree with my review of Doctor Who Hide? Have you come across any other good movies or TV dramas that pull off an unexpected genre shift. Please share your thoughts. Leave a comment or a link.

Ice Warrior loose on a submarine – Review of Doctor Who Cold War

If you want to guarantee a successful drama thriller, set it on a submarine.

Films like “Hunt for Red October”, “Crimson Tide” and “Das Boot” build tension from the claustrophobic, semi-dark red-lit sets, all male crews and the constant threat of water breaching the hull.

Set the drama on a nuclear submarine in a Cold War situation where the captain can launch missiles that could destroy the world and directors can make the tension unbearable.

So in this latest “movie of the week” adventure The Doctor (Matt Smith) and Clara (Jenna-Louise Coleman) arrive on a Russian nuclear sub in 1983. Emotions are fraught. And down in the hold encased in a block of ice is a creature, an old enemy of the Doctor, that we have not seen in the programme since “The Monster of Peladon” 39 years ago in 1974. An Ice Warrior from the planet Mars.

 Review of Doctor Who Cold War
Movie of the Week Poster

Since Doctor Who returned to our TV screens in 2005 the producers have updated many of the old classic series monsters. They modernised the Daleks and gave them the ability to fly thus relegating stair cases from being a means of salvation to simply a method of travelling from one floor to another.

The Cyberman upgrade was less successful in my opinion. All that marching around with synchronised heavy metal boot stepping was perhaps too absurd to be frightening.

With the Ice Warrior we have a modern costume which remains almost completely faithful to the original 1960s design. But instead of the slow lumbering tanks of the black and white era, here we see a fast, sleek, suit of armour for a creature hidden within. Initially all we can see is its reptilian mouth beneath the orange visor of its helmet.

 Review of Doctor Who Cold War
The Ice Warrior

But later the Martian escapes from the suit and the crew begin a desperate game of hide and seek in the dingy corridors of the submarine. These scenes are well filmed and directed and the constantly dripping water from overhead adds to the realism.

The Ice Warrior creature strikes quickly from the shadows, from above and below. The drama benefits from the fact that there is only one of the aliens confronting the humans in the confined space of their nuclear sub. It’s a classic base under siege scenario.

Clara once again gets chance to shine when she enters the room where they have chained Ice Warrior up and tries to reason with the monster. The creature’s reference to its own daughter lend the character a depth we tend not to see with more traditional monsters like the Daleks. Clara also teams up with Professor Grisenko played by the excellent David Warner, an older Russian with a liking for 80s bands Ultravox and Duran Duran. This brings a little welcome humour to the tense plot.

Eventually the Ice Warrior re-enters its armour suit and we see for the first time the ugly face of the creature behind the mask. I thought it reminded me of the Predator creatures from the movies.

The ending was a little disappointing given the tense build up. The Doctor once again talks the enemy down and appeals to its compassion. I can forgive this because the Ice Warriors of the classic series were an honourable race and in one story they were even allies of the Doctor. But such endings seem to be common at the moment. A bit dull and a bit predictable.

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Liam Cunningham

One of the best episodes of series 7, Cold War very successfully reintroduces another Doctor Who icon. It also reinforces the view that any drama set on a submarine just seems to work.

I did keep expecting Liam Cunningham, who played the Russian submarine captain, to either break out into his best Sean Connery impersonation or to start talking about the colour of Lipizzaner Stallions.

Your turn: Do you agree with my review of Doctor Who Cold War? Please share your thoughts and your own reviews. Click on “leave a reply” and post a comment or a link.