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Review of Doctor Who Journey to the Centre of the TARDIS

Ever since Doctor Who first came to our screens nearly 50 years ago we’ve been fascinated by the inside of the TARDIS.

Of course it is bigger on the inside than it is on the outside but we rarely get to see beyond the control room with its hexagonal console.

Back in the 1970s when Tom Baker was at the helm they treated us to a chase through the corridors of the TARDIS, but to save money the BBC simply used an old hospital and swimming pool, hardly ultra modern.

So I was looking forward ago seeing what the inside of the TARDIS would look like with more budget and up to date special effects.

Review of Doctor Who Journey to the Centre of the TARDIS
Movie of the week poster

Actually it was both amazing and disappointing. The library set was particularly impressive but other rooms, especially the swimming pool, were so obviously photos added to the TV image. Maybe this was meant to be an homage to the classic series and its dodgy sets? The corridors were a little bland, although they were well-lit and had the feel of the film Alien about it.

At the beginning if the episode we saw a very impressive salvage space ship and the set up scenes with the salvage team were well done. Once we ventured deep into the TARDIS with the Doctor (Matt Smith) blackmailing the salvage team into helping him find Clara (Jenna-Louise Coleman) the tension mounts. Some of the scenes with the burned monsters stalking the travellers through dark corridors were scary and effective. Though I wasn’t quite certain about what they were. It’s implied that they are the burned future versions of the salvage team, the Doctor and Clara. Why then do they effectively try to kill themselves then?

The salvage team were a little wooden and I found the theme that they had managed to convince one of their number that he was an android a little too silly. I mean, if you only had an artificial arm and an eye you would notice that you still had normal bodily functions wouldn’t you?

When the Doctor and Clara found the TARDIS engine room we saw a leap of faith scene ripped off from an Indiana Jones film. And the conclusion, effectively pressing a reset button, continues the only disappointing feature of the current run of episodes – the weak conclusions.

This was a fun episode, well designed and entertaining, but after waiting so many years to go deep into the TARDIS I can’t help but feel a little disappointed.

Your turn: Do you agree with my review of Doctor Who Journey to the Centre of the TARDIS? What did you think of the episode? Please share your thoughts. Click below and leave a comment or post a link to your own review.

Time Travelling Ghost-busters – Review of Doctor Who Hide

One of my favourite surprises in Film and TV is when the producers successfully pull off a “genre shift”. So, for example, you might start watching what you think is a romantic comedy but somewhere during the narrative the genre of the film shifts to a shoot ’em up action adventure.

The best cinematic example of “genre shift” that I can think of is in a film called “The Descent”. It starts of as an edge of seat drama about a group of girls pot-holing in deep dark caves. We experience the claustrophobia and terror as they become trapped by a rock fall and then try to traverse a bottomless chasm. Then about 45 minutes in the genre shifts to blood soaked creature horror. The first time I watched “The Descent” this change took me completely by surprise.

Doctor Who Hide has such a genre shift. It begins in the 1970s in a spooky rain lashed house. Candles flicker, shadows deepen, and we catch glimpses of the white ghost of a screaming lady. The director uses all the tricks from horror movies such as The Haunting and Paranormal Activity. It is very well done and is genuinely scary and makes the hairs rise on the back of your neck.

Review of Doctor Who Hide

It’s a small cast, with the ghost hunting characters of scientist  Alex (Dougray Scott) and psychic Emma (Jessica Raine) having room and time to be fleshed out satisfying. They are so obviously in love but unable to declare their devotion. Enter ghost-busters The Doctor (Matt Smith) and Clara (Jenna-Louise Coleman) and the creepiness becomes intense as they search the gloomy corridors for the troubled spirit.

The genre shift from horror back to traditional Doctor Who science fiction happens when we discover that the ghost is a lady time traveller called Hila trapped in a pocket universe and being stalked by a grotesque but unseen monster. The Doctor discovers this by taking Clara on a whistle-stop tour of the universe from its creation to its destruction (whilst seeing the “ghost” seemingly trapped in history). And this allows for some intense dialog between the Doctor and Clara which deepens the mystery of his new companion,  the girl “twice killed”.

There are echoes of reality show “Most Haunted” in Hide, and plenty of references to classic Doctor Who to keep the fans happy. Who spotted the blue crystal from Metebelis Three? And just what did Emma mean in her warning to Clara not to trust the Doctor – because “there’s a sliver of ice in his heart”,

The last genre shift was back to love story as Alex and Emma finally admit their feelings for each other.

But was it necessary to add the last 2 minutes of the story where, having successfully rescued Hila from the monster in the pocket universe, realises that the monster itself is trying to get to the “love of its own life”, a similar monster hiding in the spooky house. Off the Doctor then goes to try to unite the grotesque lovers. I suppose it was meant to be touching humorous – I just found it weakened an otherwise flawless “movie of the week”.

Your turn: Do you agree with my review of Doctor Who Hide? Have you come across any other good movies or TV dramas that pull off an unexpected genre shift. Please share your thoughts. Leave a comment or a link.

Ice Warrior loose on a submarine – Review of Doctor Who Cold War

If you want to guarantee a successful drama thriller, set it on a submarine.

Films like “Hunt for Red October”, “Crimson Tide” and “Das Boot” build tension from the claustrophobic, semi-dark red-lit sets, all male crews and the constant threat of water breaching the hull.

Set the drama on a nuclear submarine in a Cold War situation where the captain can launch missiles that could destroy the world and directors can make the tension unbearable.

So in this latest “movie of the week” adventure The Doctor (Matt Smith) and Clara (Jenna-Louise Coleman) arrive on a Russian nuclear sub in 1983. Emotions are fraught. And down in the hold encased in a block of ice is a creature, an old enemy of the Doctor, that we have not seen in the programme since “The Monster of Peladon” 39 years ago in 1974. An Ice Warrior from the planet Mars.

 Review of Doctor Who Cold War
Movie of the Week Poster

Since Doctor Who returned to our TV screens in 2005 the producers have updated many of the old classic series monsters. They modernised the Daleks and gave them the ability to fly thus relegating stair cases from being a means of salvation to simply a method of travelling from one floor to another.

The Cyberman upgrade was less successful in my opinion. All that marching around with synchronised heavy metal boot stepping was perhaps too absurd to be frightening.

With the Ice Warrior we have a modern costume which remains almost completely faithful to the original 1960s design. But instead of the slow lumbering tanks of the black and white era, here we see a fast, sleek, suit of armour for a creature hidden within. Initially all we can see is its reptilian mouth beneath the orange visor of its helmet.

 Review of Doctor Who Cold War
The Ice Warrior

But later the Martian escapes from the suit and the crew begin a desperate game of hide and seek in the dingy corridors of the submarine. These scenes are well filmed and directed and the constantly dripping water from overhead adds to the realism.

The Ice Warrior creature strikes quickly from the shadows, from above and below. The drama benefits from the fact that there is only one of the aliens confronting the humans in the confined space of their nuclear sub. It’s a classic base under siege scenario.

Clara once again gets chance to shine when she enters the room where they have chained Ice Warrior up and tries to reason with the monster. The creature’s reference to its own daughter lend the character a depth we tend not to see with more traditional monsters like the Daleks. Clara also teams up with Professor Grisenko played by the excellent David Warner, an older Russian with a liking for 80s bands Ultravox and Duran Duran. This brings a little welcome humour to the tense plot.

Eventually the Ice Warrior re-enters its armour suit and we see for the first time the ugly face of the creature behind the mask. I thought it reminded me of the Predator creatures from the movies.

The ending was a little disappointing given the tense build up. The Doctor once again talks the enemy down and appeals to its compassion. I can forgive this because the Ice Warriors of the classic series were an honourable race and in one story they were even allies of the Doctor. But such endings seem to be common at the moment. A bit dull and a bit predictable.

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Liam Cunningham

One of the best episodes of series 7, Cold War very successfully reintroduces another Doctor Who icon. It also reinforces the view that any drama set on a submarine just seems to work.

I did keep expecting Liam Cunningham, who played the Russian submarine captain, to either break out into his best Sean Connery impersonation or to start talking about the colour of Lipizzaner Stallions.

Your turn: Do you agree with my review of Doctor Who Cold War? Please share your thoughts and your own reviews. Click on “leave a reply” and post a comment or a link.

 

 

Review of Doctor Who The Rings of Akhaten

This is the most visually stunning episode of Doctor Who I have ever seen. It easily surpasses anything from the cardboard sets and slate quarry landscapes of the original classic series, and is still ahead of anything we have seen since the reboot in 2005.

Stylistically, it reminded me of the first Star Wars, particularly the famous Cantina scene where Luke Skywalker and Ben Kenobi venture into a bar full of weird and wonderful aliens. I lost count of the number of costumes on display as the Doctor (Matt Smith) and Clara (Jenna-Louise Coleman) wander the crowded streets the Akhaten market. Hats off to the BBC costume designers for the superb quality and detail that they put into this spectacular visual feast.

Review of Doctor Who The Rings of Akhaten

But I found the story a strange one. Entertaining certainly, but weird at the same time. Doctor Who rarely examines religious themes. But here we have a narrative questioning the beliefs and motivations of people worshipping, through ritual, a God like being in a golden pyramid. The Doctor refers to the ancient creature as “a mummy” though the locals know it as “grandfather”.

And the little girl, Merry, played with wonderful apprehension by the talented Emilia Jones, is at once part of the ritual and a potential sacrifice to the grandfather god when the ceremony goes wrong. Her dialogue duet scene with Clara, beautifully played by both actresses, is moving and allows Jenna-Louise Coleman to further grow into the role of new companion.

I also found the scene where the two of them hide from the sinister Vigil creatures and their whispering voices, most chilling. A shame then that the story did not make more of these monsters which looked like a cross between the Cenobites from Hellraiser and demons from the video game Doom.

Song plays a strong part in the rituals. Hymn like, melodic but alien they are among Murray Gold’s best work for the series so far and subtlety emphasise the religious references.

It turns out that Grandfather is a decoy. The real god is a parasite the size of a planet, now awake and keen to devour Merry and the inhabitants of Akhaten.

The Doctor offers it his 1000 years of memories in what is one of Matt Smith’s best monologues. Those are real tears in his eyes. But all this experience is not enough for the parasite. It takes Clara to challenge it to devour “what could have been” to cause the demon to gorge itself out of existence.

“There’s quite a difference, isn’t there, between what was and what should have been. There’s an awful lot of one but there’s an infinity of the other.” – The Doctor
Strange, sometimes disturbing, but always entertaining, The Rings of Akhaten is another successful “movie of the week”. And the poster above reflects but cannot do justice to the cinematic visuals on offer here.

Such were the strange themes being examined here, I watched the episode again a few hours later. It was even better the second time.

Your turn: Do you agree with my Review of Doctor Who The Rings of Akhaten? Did you think it was a weird episode? Share your thoughts or your own review. Please leave a comment or post a link to other reviews.