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Stamp on the Ground – Review of Body Combat Release 56

Ever since I first tried Body Combat release 56 at the Edinburgh Quarterly Workshop, when the air conditioning in the studio failed and the room turned into a swamp with a river of water pouring down the mirrors, I knew it was going to be one of the best.

Review of Body Combat release 56
Body Combat release 56 Choreography Notes.

It’s a great mixture of music styles, very tough cardio-moves and there is something that reminds me of the early days of Body Combat. Perhaps it’s the reliance on more techno-music, or that there is more shuffling left and right, forward and back. Perhaps it is the sturdy pounding beat of a track by German rave band, Scooter. Whatever it is this release is a corker.

Let’s have a look at the tracks.

Upper body warm up (I Cry): A short warm up with simple punches, upper cuts and hooks. Lively music with enough boxing shuffles to begin to ignite our muscles. For perhaps the first time there is no transitional kata or stretch before the lower body warm up and when the moment comes we just launch ourselves into cardio-orbit.

Lower body warm up (Don’t Wake Me Up): Goodness gracious this is the most intense lower body warm up track we have ever had. We begin with a leg block and seven knee strikes on each leg sequence which we repeat four times during the track. It’s immense and will have you breathless by the end. You’ll think you are half way through the class even though you’ve only just begun. And a sneak preview of the advancing side kick. Fun to teach as well. How many knees? SEVEN!

Combat One (Welcome to the Jungle): We’ve definitely got “fun and games” here. This is a very busy track with multiple transitions and moves culminating in another breathlessly intense ending with non-stop knees and kicks. It’s an okay cover of the Guns ‘n’ Roses original and keeps the heart rate at the level set by the warm up.

Power One (Hymn): We had this music back in Body Combat release 28. If you are as old as me you will recognise this as a hit single by Ultravox (famous for their electronic classic, Vienna). The song is an anthem and I find it hard not to sing along to it. In fact that is another big positive for this release. Many of the tracks have catchy or memorable choruses. “The Power and The Glory” and other great lyrics give us instructors so much material to build our cues around. The moves are simple but fast and relentless. Flat out boxing and a super workout.

Review of Body Combat Release 56
Jump Knee in track 4.

Combat Two: (Hello (Good to be Back): To me the backbone of Body Combat musically over the last decade is the pounding base line and drum beat of German rave band, Scooter. It’s another sing along track with more high energy moves (jump knees and jump kicks) and, at the end a cheeky little kata before we do first a single, then a double advancing side kick.

As I expected of course I’ve had a few people object to Les Mills using a Gary Glitter song. Well let’s get it in perspective. This is one hundred percent a Scooter track, it just samples a few seconds from a Gary Glitter song so Mr Gadd isn’t getting any royalties (he didn’t write the original song anyway). Please everyone just think of it as another Scooter stadium crowd pleaser and a joy the work out. It’s fabulous.

Power Two (Stamp on the Ground): A third techno sing along track in a row. I challenge anyone, either participant or instructor not to join in with the words, “Jump Jump Jump Jump” in the chorus. It’s a great fun track with some interesting combinations. Triple jab, step over cross and then that last powerful hook. The jump jabs on the angle are messing with people’s heads, they often get the direction wrong but it’s getting better.

Review of Body Combat Release 56
Matrix Kick in track 6.

Combat Three (Still Getting It): Finally the pace slows down slightly so that we can focus on some leg conditioning. A wild dub-step track, we weave esquivas, gingas and a new move called the “Matrix Kick”. Once you attempt it you’ll know why it is so named. Lift your lead knee quickly then slowly extend to a front kick whilst leaning back slightly. Then snap that leg right back behind you into a lunge. It stretches the hamstrings in the lead leg and it wears out the supporting leg.

At first I found the timing difficult but suddenly, with the music loud, I heard the snare drum when you plant your foot back into the lunge and I have been spot on ever since.

Oh and the exercises in this track hurt or should I say get results.

Muay Thai (Raise the Flag): Six rounds of simple muay thai moves set to an up tempo rock song. Again it’s catchy and the running man knees at the end of each half certainly raise the heart rate into orbit. But for me it’s too long and repetitive. And whilst it’s a good work out it does seem to overstay its welcome.

Power Three (Silence): This track is even longer than the previous one at 8 minutes. But this one has variety. It’s immense. A gigantic workout and an epic even by Body Combat standards. You can build two maybe three false endings into this masterpiece and trick your participants into thinking it’s over when in fact there is still so much more to come.

For us Body Balance instructors it is also another sing along song as we have had the quiet serene version at least twice over the years. What an astonishing ending to the cardio-phase of this class.

Review of Body Combat Release 56
Scorpion Push Up in track 9

Conditioning (Shawty Got The Moves): Short and tough. You really need to try the scorpion push up (effectively one knee bent with the ankle up to the butt) on you toes. Yes you have the knees down option but it’s too easy to cheat on your knees. Prone back raises are a first in Body Combat I think but of course a regular in Body Balance and CXWorx.

Cooldown (Hall of Fame): This is a pleasant end to the class. Simple stretches culminating in a slower repeat of the Kata from track 4.

For me Body Combat release 56 is the best we have had for ages. The larger quota of techno music with sing along choruses combined with simple, yet challenging moves creates a class that will challenge the regulars and be accessible to newcomers.

Well done to choreographers Dan and Rach. This is one for your hall of fame.

Your turn: Do you agree with my review of Body Combat release 56? I would like to hear your own thoughts, reviews and comments. Please post a reply below or post a link to your own review.

First impressions of Body Combat release 56 after Edinburgh Quarterly Workshop

As the sun finally appears from behind the clouds in Scotland we are ready for the new summer fitness class releases from Les Mills.

The studio at Virgin Active in the Omni Centre was packed with Body Combat instructors wearing Venum shorts and sporting martial arts fighting gloves. Trainers Dave Cross and Aaron Davison led us on a sweaty journey of calorie burning kicks and an arsenal of punches.

A problem with the air conditioning meant that the mirrors clouded over and the room turned rapidly into a swamp. But all it did was make us work even harder and sweat buckets.

Here’s what I thought of Body Combat release 56.

Body Combat release 56
Dave Cross and Aaron Davison on stage – Body Combat 56 Masterclass
  • The lower body warm up feels like a whole workout in itself. Seven muay thai knees on each side repeated. Very tough.
  • They’ve brought the advancing side kick back.
  • The music in track 3 is Hymn by Tina Cousins. They used it back in release 28. The song was originally recorded by 1980s band Ultravox, best known for Vienna.
  • In over 10 years of Body Combat the artist they have used most is German rave band Scooter. Track 4 is a Scooter track with a pounding beat that will motivate you to kick harder.
  • The “matrix kick” is going to annihilate your legs.
  • Track 8 is immense. Long, relentless and just when you think it’s over, you fight on for a lot longer than you think.

I thought the class was hard, fun and the right balance of musical styles. Where else can hard rock, dub step and hip hop co-exist to create fitness magic but in a Body Combat class?

Your turn: Are you a Body Combat instructor? Do you agree with my first impressions of Body Combat release 56. Share your thoughts. Leave a comment. Participants let me know what you think of the class once we’ve launched it.

Firestarter – Review of Body Combat release 55

I didn’t go on the Quarterly Workshop training for Body Combat release 55. It’s harder to learn a release and to “connect” with it if you haven’t experienced the Masterclass first. At first I found some of the music a little strange but after much practicing in my living room I began to appreciate it more. And once I launched to my participants I realised that 55 was going to be very popular.

So let’s look at the tracks.

Review of Body Combat release 55

Upper Body Warm Up (Back in Time): This is a great start. There’s no Kata, no stretch, just straight into the first combination of upper cuts as the music builds up to a really catchy hummable melody. I find myself whistling this tune during the day, it has become engrained on my mind. Plenty of shuffling gets us warm very quickly. A very satisfying start.

Lower Body Warm Up (Call Me Maybe): More uplifting dance music as we shift our focus to our legs. I like the knee and then treble knee combination which we repeat three times punctuated my a great focus on front, side and roundhouse kicks. It’s also good to see the set up move for both the side and the roundhouse kick which serves as a good reminder for the class on the difference between these moves.

Combat 1 (Bad Girls): When I first heard the music for this track I thought it sounded like the inner workings of an insane machine. It’s Dubstep and actually suits the rhythm of the capoeira moves perfectly. Before I taught this for the first time I worried about the speed of the ginga lunges. I thought that if I lost the beat I would mess up the choreography. When I taught it however, I found the simple 1, 2, 3, 4 counts and moves simple. That worry out-of-the-way and I was able to focus on getting the class deeper into the ginga and master the evasive side kick. Some of the class are even adding the jump to the ESK. This might be the first track 2 in Body Combat history not to feature the roundhouse kick.

Power 1 (Don’t Feel Like Love): A full on combination of jabs, upper cuts and hooks built a layer at a time to a great piece of music. On the DVD they suggest we go off the beat of the music for part of the combination and I like the authenticity this brings to the fighting feel.

Combat 2 (Firestarter): This is a passable cover of a Prodigy song and the track has a completely different feel than we are used to. No jump kicks but plenty of shoot lunges and roundhouse knees. Although the mixed martial arts style stands out you do have to go very hard to feel challenged by this one. This track feels a little light weight.

Power 2 (We Speak No Americano): I hated the music when I first heard it. But everyone recognises it from “The Inbetweeners” movie and it is actually great fun to teach. And I love the wide leg run at the end – the so-called “Santa Monica staircase”. It has the class breathless and gasping by the end.

Combat 3 (Where Have You Been): I certainly like the big combination in this track. A double knife strike, a double block and then back kick, front kick, back kick, front kick. No matter how hard I try I don’t seem to be able to teach the class not to add another back kick in to the sequence. Everyone just seems to add it in. So know I just let them get on with it. Musically I find this track a little dull. It’s a dirge. And for that reason this might be the first track I will mix out.

Muay Thai (Let It Rock): Off the scale relentless and challenging this track makes you breathe out of every opening. There are millions of knee strikes here and you can really build up the intensity up to the point when we add in the jumping knees. I love the look of disbelief on people’s faces when you demo the jumping knee. And just what are the words during the high-pitched vocal ever time we return to the street brawl downward punch? It sounds like,  “Ice Lolly! Ice Lolly!”

Power 3 (For a Lifetime): A very catchy sing along song to finish off the cardio section of the class. There are lots of words to latch on to motivate the class, “I believe in you and everything you do”. However it doesn’t feel as relentless as some of the previous track 8s. It’s good that it finishes on a combo and not endless jabs though.

Conditioning (You’re Gonna Love This): Short and surprisingly tough I like the variety of moves in this track. Shoulder taps give us core conditioning and the power clamber keeps the heart rate up.

Cool down (Battle Scars): A fine end to Body Combat release 55. It’s always good to see a downward facing dog in the cool down.

So Body Combat release 55 is another solid class which certainly creates a cardio high. Track 2 smashes your legs early on and the Muay Thai is absolutely mental. Only the music from track 6 let’s the release down in my opinion.

Your turn: Are you a Body Combat instructor? What do you think of my review of Body Combat release 55? Do you agree? Please share your thoughts. If you are a participant let me know what you think as well. Click below where it says “Leave a reply” and share!

What doesn’t kill you – Review of Body Combat release 54

As Christmas excesses become a distant memory everyone is getting back into the gym to work of their turkey, Quality Street, Twiglets and puddings. Classes are rammed full and Les Mills have given us a great start to 2013 with another solid, tough and calorie burning class.

review of body combat release 54
Body Combat 54 Poster

Welcome to Body Combat release 54.

Upper body warm up (What doesn’t kill you): We start with an uplifting cover of a Kelly Clarkson song. Easy punches, a combination of upper cuts and hooks and jacks warm us up quickly and allows us a few moments relief for a karate based kata.

Lower body warm up (Blow): This is a big track with “Shoot Lunges” as well as the usual kicks and knee strikes. The music at first appears to be a fairly dull extended dance song – but I always find myself singing along to the melody and drawing wry smiles from my participants. They’ve packed a lot into this warm up and it succeeds in its aims.

Combat 1 (Turbulence): The title if this track is a word that strike fear into my heart – especially if uttered by an airline pilot. Recent track 2s have been so short you could blink and miss them. At six and a half minutes this is a leg killer. They told us on the training that the BPM of this track was lower than in the LBWU but that doesn’t prevent it from exhausting you early on. The lunging kick is back and cries out for a full class kiai! The slow and endless balancing round house kicks bring on groans – and we are only 10 minutes into the workout.

review of body combat release 54
Balancing Roundhouse Kicks

Power 1 (Gona Love Me): A perfectly acceptable power track with a flurry of punches and upper cuts. But I find the music is a bit of a dirge and I’m not keen on the screeching singer. And we had the hook stepping and weaving combo in the last release so a different move would have been good. The moves work but for me the music doesn’t.

Combat 2 (Paradise City): This is fast and furious and quite hard to cue because there is so much going on. And there aren’t always 4 repetitions – sometimes 2,3, 4 or 8 so you need to stay sharp. At the end we have an extended bout of skipping and add in a “double under” – which is a little jump. Take care here. I’ve had sore Achilles and I think this sequence is the reason. Great track.

Power 2 (Invincible): Again I’m not sure about the music. Whilst it builds from a quiet start to a powerful explosive beat once the full combination kicks it feels a little flat. “We can do it together” is a good line for a group fitness class and the endless hooks at the end really shatter the shoulders.

Combat 3 (DOA): A long time ago they used to call track 6 used “the recovery” track. Programme directors Dan and Rachael did away with that concept ages ago. This is a relentless track with great combinations involving the back kick and a powerful karate punch. The song is quite catchy too, “No one’s getting out of here alive!”. I bet you find yourself singing along.

Muay Thai (The Switch): A driving techno beat and an avalanche of knees and elbow strikes. This is furious and you can let yourself go wild. On the quarterly workshop Tanya Walker, the trainer, had me up shadowing her on  this one and so I didn’t have to learn it – it was already burned into my brain. I like the little nod to the past with the sound effects and warning bells like we used to get years ago.

Power 3 (Dark Skies): A great climax to the class with shoulder destroying speed balls and more endless jabs. The music in this power track is very motivating which is good after the two earlier slightly disappointing ones. We all feel completely spent as we run around the room to the reprise of track 3 – but there is more hard work to come.

review of body combat release 54
The leg escape move.

Conditioning (Internet Friends): The first time I tried to teach this I demonstrated the moves for the class first. They looked horrified. So after that I have just gone straight in. There’s plenty of time to set up the “leg escape” move during the introduction and the best way for the class to learn is to do it. Only problem is that if you sweat like a tap (as I do), the floor beneath you becomes slippery and can make achieving the move quite hard. Finally we finish with some very tough crunches.

Cool down (Payphone): A pleasant song and an easy series of stretches bring us back down to earth finishing with a reprise of the kata from track 2.

Body Combat release 54 is another solid class which gets results. Your shoulders will ache after all the hooks in track 5. Apart from a couple of dull pieces of music Dan and Rachael have given us another winner.

Your turn: Are you a Body Combat instructor? What do you think of my review of Body Combat release 54? Do you agree? Please share your thoughts. If you are a participant let me know what you think as well. Click below where it says “Leave a reply” and share!